Drawing / Painting
General Introduction
Drawing has always occupied a central place in my practice. I often work with charcoal, graphite, ink and other direct materials, attracted by their immediacy and by the physical relationship they establish between gesture, surface and space.
For me, drawing is not necessarily a preparation for painting. It is an autonomous way of thinking. A line can define a form, but it can also divide a space, interrupt it, or disappear into it. Charcoal is particularly important because it allows me to move between the density of black and the fragility of a trace — between something strongly present and something that seems about to vanish.
Painting extends these questions through surface, scale and material. Rather than constructing an image through representation alone, I am interested in how an image can emerge from repetition, accumulation, erasure, contrast and silence.
Black and white frequently form the foundation of this work. Black is not simply darkness, nor white an absence. Each becomes a space with its own density. Between them, a line, an edge or a change of texture may be enough to suggest distance, landscape or horizon.
Across drawing and painting, I return repeatedly to a simple question: how little is necessary for an image to appear?
The work develops in this uncertain territory — between drawing and painting, surface and depth, abstraction and landscape, what is visible and what remains only suggested.
01 — Exhibition / Installation Views The work in space
Installation view - " HORIZON " 2010 , Halle Nord, Geneva, Switzerland
HORIZON
Halle Nord, Geneva, 2009
HORIZON was presented at Halle Nord, Geneva, in 2009.
The installation brought together a series of large black works in which dense, repetitive marks cover almost the entire surface. Across this accumulation, a darker horizontal interruption appears — sometimes continuous, sometimes irregular — suggesting the distant contour of a landscape.
The horizon is reduced to an elementary division: above and below, distance and surface, light and darkness. Continue reading
Synthetic Landscape, 2018, Synthetic paint on bubble wrap, 150 × 535.5 cm
In Synthetic Landscape, painting is inseparable from the physical structure of its support. Applied directly onto industrial bubble wrap, the paint catches primarily on the raised circular surfaces, fragmenting the image into thousands of small points. The process produces an effect almost opposite to screen printing: rather than surrounding the circular forms, the pigment occupies the bubbles themselves……Continue reading
Synthetic Landscape, 2018. Synthetic paint on bubble wrap, 120 × 430 cm. Ateliers d’artistes – Portes ouvertes, Ville de Genève. Virtual reconstruction, 2026, by Siripoj Chamroenvidhya in collaboration with ChatGPT (GPT-5.6).
Dessins de la nuit, 2009 — Pinacothèque, Geneva
Virtual reconstruction of the exhibition space and installation based on the artist’s recollection and original artwork dimensions.
Reconstruction developed by Siripoj Chamroenvidhya with the assistance of ChatGPT (GPT-5.6), 2026… Continue reading
DÉCOUVRIR / REDÉCOUVRIR, Musée Rath, Geneva, 2004 Digital reconstruction, 2026, based on my drawings, dimensions and memories, created with the assistance of ChatGPT (OpenAI).
Landscapes, 2002–2004
Installation view, andata.ritorno laboratoire d’art contemporain, Geneva, Switzerland.
«Ao Kung Kraben, Doi Tung, Le Rhône et Grindelwald» Exhibition view… Contnue reading
PAS DE DEUX : THA – CH. » CONTEMPORARY ART WITH POLITIC OF ECOLOGY » 2017
Landscape — Nature through an Artificial Surface
For PAS DE DEUX : THA–CH — Contemporary Art with Politic of Ecology, the landscape becomes both image and material.
The works begin with recognizable places and memories of landscape—the Chao Phraya, the Gulf of Siam, Phi Phi Island, and the journey toward Khao Kho—but their representation is displaced onto bubble wrap, an industrial material associated with protection, packaging and circulation. Continue reading
02 — Projects / Exhibitions Individual exhibitions and bodies of work
02.1 — Landscape – Centre de formation HUG – 2004
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